Posts in Narration
The Loneliness of The Audiobook Narrator

I was very happy with how the recording went that day. The challenge was to render a scene from World War II. A group of Wehrmacht soldiers were attempting to escape their pursuers on the frozen wastelands of the Eastern Front. In addition to narrating the scene in 1stperson I was also portraying 5 different characters all gripped in their own way by the immediacy of death. To play such a scene in one take all by yourself is no mean feat. Doing this sort of thing is why audiobook narration is so fiendishly difficult to do well.

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The Difference Between Speaking and Reading

To many laypeople and, dare I say it a few actors who should know better, reading and speaking are the same thing. One is a synonym for the other. I freely admit that when I was 21, I thought exactly the same thing. Reading or narrating a text was about accuracy and clarity. You might vary your pace or tone a bit to keep it lively and intelligible and of course you would be sure to project (darling!) But speaking?

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Why Musical Theatre Prepared Me For Audiobooks

A few weeks ago, I was involved in a fascinating discussion about corrections and preparation in audiobook narration. Some excellent colleagues of mine didn’t entirely agree with my point of view over the role of the proofer. Some of my colleagues expressed a dislike of overly detailed prep, preferring instead to focus on their sight-reading virtuosity and a meticulous 1st Pass Edit before sending their work to a proofer. For me, this doesn’t work.

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Correcting The Read: Why Making “Mistakes” Are Good For Your Narration

I was talking to one of my favourite proofers the other day. She was marvelling at how a narrator whose work she had recently been proofing had required only one correction. For anyone who doesn’t understand the parlance, correction in audiobooks refers to a mispronounced word, extraneous noise or inconsistent character voice that has been picked up on by the audiobook proofer.

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